
Written by PAULA VOGEL
directed by SARA RADEMACHER
directed by SARA RADEMACHER
Co-Scenic Designers | MAGGIE WELCH, GREG MITCHELL
Costume Designer | KATE BERGH
Lighting Designer | VICKIE SCOTT
Associate Lighting Designer | KADRIK BLATT
Projections Designer | ELIJAH FRANKLE
Assistant Director, Dramaturg | ALEX GUAYDACAN
Stage Manager | THEO MULHOLLAND
Choreography & Movement | CHRISTINA MCCARTHY
Intimacy Director | GRACE KIMBALL
Dialect & Voice Coach | JENNIFER GREER
Fight Choreographer | SEAN O’SHEA
Yiddish Consultant | RANDA KIRSHBAUM
Assistant Scenic Designers | LINYI CHEN, LANI TUNZI
Assistant Costume Designer | MICHELLE BIRSTEIN, DIANA MATEESCU
Assistant Lighting Designers | BELLA PORTER, MCKAY KINSEY
Assistant Projections Designer | SIDDHARTH CHATTORAJ
Assistant Choreographer | SHENANDOAH HARRIS
Props Artisan | MAYA ROSENBERG
music direction by NICOLE MCKENZIE
Costume Designer | KATE BERGH
Lighting Designer | VICKIE SCOTT
Associate Lighting Designer | KADRIK BLATT
Projections Designer | ELIJAH FRANKLE
Assistant Director, Dramaturg | ALEX GUAYDACAN
Stage Manager | THEO MULHOLLAND
Choreography & Movement | CHRISTINA MCCARTHY
Intimacy Director | GRACE KIMBALL
Dialect & Voice Coach | JENNIFER GREER
Fight Choreographer | SEAN O’SHEA
Yiddish Consultant | RANDA KIRSHBAUM
Assistant Scenic Designers | LINYI CHEN, LANI TUNZI
Assistant Costume Designer | MICHELLE BIRSTEIN, DIANA MATEESCU
Assistant Lighting Designers | BELLA PORTER, MCKAY KINSEY
Assistant Projections Designer | SIDDHARTH CHATTORAJ
Assistant Choreographer | SHENANDOAH HARRIS
Props Artisan | MAYA ROSENBERG
music direction by NICOLE MCKENZIE


For indecent, I researched local resources near our theater—such as thrift shops and costume/scenic shops—to bring the concept of the fabric wall and trunks to life. I was responsible for tracking props throughout the production, ensuring seamless transitions and period accuracy. Additionally, I assisted in constructing the raining system and dressing the cloth wall (as shown in the reference image). This involved carefully selecting, arranging, and affixing vintage garments to create a textured, layered visual that reflected the play’s historical and emotional depth. Ultimately, the wall served as both a scenic and symbolic element, reinforcing the narrative’s themes of memory, identity, and resilience.